Latin American Art, Artists, Artworks, Art Galleries, Museums, Art Community and Art Resources.

Sorry, this entry is only available in English

Artistas, Exhibitions, Galleries

Sorry, this entry is only available in English

Artistas, Contemporary Art, Exhibitions, Galleries, General, Photography architecture, Arquitetura, Brazilian artist, choreograph, coffee, exhibition, geometric, installation, landscape, Lima, Lucía de la Puente, Lucia Koch, perspectives, Peru, photography, physical space, public spaces, sculpture, spatial

Sorry, this entry is only available in English

Art Center, Artistas, Contemporary Art, Exhibitions, Bellas Artes, Galleries, Photography Blue Star Contemporary Art Center, Claudio Bravo, David Adjaye, Olafur Eliasson, Rodolfo Choperena, Venice Biennale

Fine Art Funds – Taking the soul out of art investing?

AUGUST, 2011

Throughout history, retailers and individual collectors have been trading valuable works of art, whether for pleasure or investment potential. As far back as the 1800’s art trading clubs were formed and investors would gather to discuss their collections and potentially trade works. It wasn’t until after the year 2000 that commercial art funds began to gain traction as investment vehicles. At that time a number of entrepreneurs from the financial and arts industries who had a strong personal or vocational interest in art set up these funds, a number of which have fizzled out over the years. An art fund, much like a hedge or private equity fund, provides commercial rewards to both the capital providers and the fund managers. Considered by those involved to be a sophisticated type of alternative investment, art funds provide a long-term hedge during periods of financial crisis and inflation. For this feature, ALI spoke to two prominent fine art funds as well as to top art advisors to understand and analyze strategies of art investment funds as well as the recent growth in the Latin American sector Read More…

To read the full article and other related art articles please register for free with Alternative Latin Investor.

Artistas, Collections, Exhibitions, Bellas Artes, Galleries, General, Museum art advisors, art funds, art investment, art investors, art trading, collections, collectors

The Artistry and Stability of Colombian Gold

Gold Art Investment in Colombia

The history of pre-columbine gold mining dates as far back as the years 1-1000 A.D. Some of the world’s earliest discoveries have been made in Northeastern Colombia from the Tairona Culture, Early Zenu Culture and the Muisica Culture.

The important gold mining center of Buriticá, in the mountains of Colombia’s northern Antioquia Province, exploits rich… Read More…

To read the full article and other related art articles please register for free with Alternative Latin Investor.

Artistas, Collections, Bellas Artes, Galleries, General, Museum Antioquia Province, Buriticá, Early Zenu Culture, gold, Muisica Culture, pre-Columbian, pre-columbine, Tairona Culture

Alicia Framis photograph of a naked man spikes traffic

We could have not imagined that the #5 “Pageviews” listing in our traffic report would be a photo of a naked man by Spanish artist Alicia Framis called: “8th June, female models have a day off, Madrid”. We have had Picassos, Diego Riveras, Frida Kahlos, Gabriel Orozcos boost our traffic at any given day and it is expected to see an increase. This one really caught our attention as we were looking at the link trying to imagine what artwork could have been ahead of so many others that you would think of. You must see this image; it is a great photograph. Warning: if images of naked people offend you, do not open the link below.

Alicia Framis’ Photograph

Until Next Time,

Laura Cunningham
Director

Artistas, Bellas Artes, Galleries, General, Pageviews, Photography, Traffic Alicia Framis, artwork, Diego Rivera, Frida Kahlo, Gabriel Orozco, listing, naked people, Pageview, photographs, Picasso, traffic, warning

Sorry, this entry is only available in English

Ferias de Arte, Artistas, Collections, Dallas Art Fair, Exhibitions, Bellas Artes, Galleries, General Arthur Miller, Black & White, California, collectors, Dallas Art Fair, Death of a Salesman, gallery, Graciela Iturbide, Latin America, Latin American photography, Manuel Alvarez Bravo, paintings, Peter Fetterman Gallery, photographer, photographs, photography, private dealer, Santa Monica, sculptures, Sebastiao Salgado, still images, theatre, Tina Modotti

At 10am, the first part of the controversial symposium “Finding Frida” took off. The owners of the Noyola Collection Carlos Noyola and Leticia Hernandez de Noyola started the presentation talking about how they met sharing their love and dedication to art collecting and to their Art and Antiques store located in San Miguel de Allende, Mexico. After telling us how proud they are of their children who followed in their steps, they went on to tell us how Frida Kahlo got between them to never let go and how they share a passion for her works like nobody they know. The Noyola’s are here at the Dallas Art Fair to vindicate themselves by corroborating the authenticity of the works of Frida Kahlo which they have gathered throughout the years. They printed a book called “Finding Frida Kahlo”. They are also trying to reassert us by showing a video of how they have obtained validation from several sources including Arturo Garcia Bustos, Arturo Estrada, Chavela Vargas, Rina Lazo and Diego Maria Alvarado Rivera.  

James Oles

After proudly playing the video, they were immediately questioned by James Oles about the documentation supporting the provenance of the works. James Oles is a professor of art history at Wellesley College, curator of Latin American Art and researcher of the Frida Kahlo archives at the Casa Azul Museum in Mexico City. Trying to be as unbiased as possible, I really wanted for the Noyola’s to prove their point. Who doesn’t want this collection to be authentic? Nobody. But there are very valid issues that overcloud the provenance and authenticity of the collection. Followed by James Oles was Mary Ann Martin. Mary Ann Martin is the owner and director of Mary Ann Martin Fine Art in New York City and she is one of the leading dealers of Latin American Art in the United States. She was asking the Noyola’s about how in the 90’s, they mentioned the source of the provenance of the collection to one newspaper as being from Manuel Marque and later on they told a different newspaper that the source was Abraham Jimenez Lopez. The question confused the Noyola’s; they seemed unorganized and struggled to answer the question as though they did not understand it. Their advisor Jed Paradies came into their rescue only to be shut down by moderator Jason Edward Kaufman pointing out the uncertainty of their rationale of where the artworks ultimately come from. After the symposium, we walked into the salon where 56 pieces from the Noyola collection were exhibited. Within 15 minutes, there were basically two groups; one consisting of the Noyola’s explaining why the collection is authentic and where they got it from and the arguments to prove their claims.

Dr. Salomon Grimberg

The other group gathered first around Dr. Salomon Grimberg who is the co-author of the Frida Kahlo catalog raisonné “Frida Kahlo, Das Gesamtwerk” and one of the leading experts of her work. Later on, another group gathered around James Oles who was absolutely certain that mostly every piece they were showing was a fake. Oles pointed out how the flag that reads “Viva Trosky” was misspelled (Trotsky is the correct spelling) and how the fact that the Noyola’s obtained 1200 works; 40+ original paintings that no Frida Kahlo nor any Latin American Art expert had ever seen or heard about. These details raised most of his claims. Finding Frida part II comes tomorrow. We will be there and I cannot wait to write about it. 

Until tomorrow,

Laura Cunningham

Director

Ferias de Arte, Artistas, Exhibitions, Bellas Artes, Galleries, General Abraham Jimenez Lopez, Art and Antiques, Arturo Estrada, Arturo Garcia Bustos, Carlos Noyola, Casa Azul Museum, Chavela Vargas, curator of Latin American Art, Dallas Art Fair, Das Gesamtwerk, Diego Maria Alvarado Rivera, Dr. Salomon Grimberg, Finding Frida, Finding Frida Kahlo, Frida Kahlo, James Oles, Jason Edward Kaufman, Latin American Art expert, Laura Cunningham Director of LatinAmericanArt.com, Leticia Hernandez de Noyola, Manuel Marque, Mary Ann Martin, Noyola Collection, researcher of the Frida Kahlo, Rina Lazo, San Miguel de Allende, symposium, Trotsky, Wellesley College

The Dallas Art Fair has been even greater than expected and I have met the nicest people. Many of whom are responsible for shaping the art world; others who are responsible for shaping the Latin American Art world and still others who are art enthusiasts and complete the ensemble. After hours of walking and talking to numerous gallery owners, getting to know them and getting the information I was looking for, I walked into the familiar warmth of a colleague who welcomed me into her booth.

Patricia Ruiz-Healey is owner and director of Ruiz-Healey Fine Art in San Antonio, TX. Patricia Ruiz-Healy holds a Masters Degree in Art History from the University of Texas in San Antonio. She also did Post-Graduate work in London at the Sotheby’s Institute and at the Coartauld Institute of Art. She is a PhD student at UT Austin working towards a Doctorate in Latin American Studies and clearly knows what she is all about. With a finicky attitude, she welcomes clients into her space and with visible pride, shows them what her gallery has to offer. Often taking works from the back to pull their interest and educating them further about the works.

In addition to Carlos Betancourt and Rodolfo Choperena, Ruiz-Healey Fine Art is also showcasing the artworks of Cecilia Paredes, Pedro Friedeberg and Cecilia Biagini among others. Patricia talked to me briefly about the artists she represents and their artwork so I could gather information about them for my articles. It was hard to hold a conversation with so many clients constantly walking in. She then informed me that one of the artists she represents: Carlos Betancourt was at the Fair and tried to locate him for me but he was gone. We then set up an interview for Saturday with Betancourt and also with Rodolfo Choperena which I will share with you once I am done with the transcripts.

Until then,  

Laura Cunningham

Director

Ferias de Arte, Artistas, Exhibitions, Bellas Artes, Galleries, General art enthusiasts, art world, Atists interviews, Carlos Betancourt, Cecilia Biagini, Cecilia Paredes, Coartauld Institute of Art, Dallas Art Fair, Exhibitions, Bellas Artes, gallery owners, arte latinoamericano, Latin American Studies, Laura Cunningham is owner and Director of LatinAmericanArt.com, Patricia Ruiz-Healey, Pedro Friedeberg, Rodolfo Choperena, Ruiz-Healey Fine Art, San Antonio Galleries, Sotheby’s Institute, University of Texas in San Antonio, UT Austin

Sorry, this entry is only available in English

Artistas, Exhibitions, Bellas Artes, Galleries, General Antoni Tápies, Antonio Saura, Fort Worth Community Arts Center, Luis Feito, Luis Martin, Manuel Millares, Meadows Museum SMU, Miguel Zapata, Professor Emeritus of History Luis Martin, Spanish artist Miguel Zapata, Spanish Artists, The Meadows Museum, Valley House gallery